LOS ANGELES -- In an era where discussions about race and identity are more crucial than ever, Todd Gray's latest exhibition at Perrotin emerges as a vital contribution to the dialogue surrounding Black history and identity. Coinciding with his anticipated installation, "Octavia's Gaze" (2025), at the Los Angeles County Museum of Art's new David Geffen Galleries, the exhibition titled Portals showcases a series of intricate photo assemblages that juxtapose images of slavery with European art and architecture, revealing the complex layers of wealth built upon the labor of enslaved individuals.
Gray's assemblages are a blend of his photographs and those sourced from various origins, including stunning images captured by the Hubble Space Telescope. This innovative approach draws inspiration from the work of John Baldessari, a significant figure during Gray's studies at the California Institute of the Arts. However, Gray distinguishes his work with a focus on beauty and emotional depth, crafting visual narratives that invite viewers to explore and question the connections between the past and present.
One notable piece, "Paradox of Liberty (Monticello, Elmina, Akwidaa)" (2026), features layered oval photos over lush Ghanaian landscapes, highlighting the historical significance of Akwidaa as a transit point for enslaved individuals. The work evokes a profound emotional response, particularly as it references Thomas Jefferson, a proponent of liberty who paradoxically owned hundreds of enslaved people.
Gray also personalizes his work, as seen in "Heart of Darkness in Eden's Garden" (2026), where his silhouette overlays a formal garden scene associated with the AfricaMuseum in Belgium, a site notorious for its exhibition of a "human zoo." This artistic choice amplifies the solemnity of the piece, prompting viewers to confront uncomfortable truths about history.
For the upcoming section at LACMA focused on cultural exchange related to the Atlantic Ocean, Gray has crafted a 27-foot-long photo assemblage titled "Octavia's Gaze." This piece includes a portrait of the late Afro-futurist author Octavia Butler, intertwining narratives of African presence in Europe with themes of colonialism, enslavement, and cultural appropriation. The work not only pays homage to Butler but also serves as a testament to the resilience and complexity of Black heritage.
Through his art, Gray challenges viewers to reconsider historical narratives, revealing the intricate tapestry of identity shaped by past experiences. His exhibitions are not merely displays but portals to deeper understanding and reflection on the interconnectedness of history and culture, ultimately inspiring a more inclusive future.
