In a captivating revelation, the woman famously depicted with her back turned in numerous gallery photographs has shared her thoughts for the first time. In an exclusive interview with Hyperallergic, she maintains her anonymity by facing away from the camera during the conversation, embodying the mystery she represents in the art world.
Describing herself as a "modern-day Rückenfigur," she offers a glimpse into her daily routine, which begins with an impressive workout regimen of 100 deadlifts and 65 lat pulldowns. After her morning session, she heads to various galleries, ready to stand beside artworks as an average-height woman of ambiguous ethnic background.
Hyperallergic: What influences your work?
Woman With Her Back to the Viewer: I draw inspiration from artists like Caspar David Friedrich, viewing myself as a contemporary Rückenfigur. I also admire Barbara Kruger and anyone who can convincingly claim familiarity with their work.
H: How do you manage to turn away just as the photo is taken?
WWHBTTVI: I've honed my hearing to anticipate the shutter sound, much like a beaver pauses to listen while gnawing on wood.
H: What challenges do you face in your role?
WWHBTTVI: It's disheartening not to receive commission on sold artworks, considering the time I spend next to them. My efforts often exceed those of sales directors who simply send PDFs from their yachts.
H: Will the art industry ever acknowledge the unseen contributions of individuals like you?
WWHBTTVI: Sadly, no. I juggle multiple side jobs to support myself. On weekends, I blur my presence in front of artworks, a secret I've kept until now.
H: Critics have described your images as "confrontational" and "post-person." What's your take?
WWHBTTVI: I prefer to move past those interpretations.
This interview is part of a new series titled Who's Behind Those Weird Art World Photos? Stay tuned for next week's edition, featuring an exclusive chat with the Art Handler known for their gloved hands in every auction house press image.
