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Counterpublic Triennial and High Line Announce New Native and Contemporary Art Commissions

Counterpublic and the High Line unveil new Native and contemporary art commissions, while major museums expand their collections with landmark works.

Counterpublic Triennial and High Line Announce New Native and Contemporary Art Commissions

St. Louis's 2026 Counterpublic triennial, titled Coyote Time, has unveiled four new commissions created with the Walker Youngbird Foundation. Opening September 10, the citywide program will feature nearly 50 works, including projects by Native artists shaped around the Mississippi Riverfront and the Gateway Arch.

Among the commissioned artists are Yatika Starr Fields, Rebecca Belmore, and Nicholas Galanin, selected by curator Wanda Nanibush, along with Kite, invited by curator Stefanie Hessler to develop an installation in the riverfront area and Tower Grove Park. Community workshops informed Kite's project, adding a shared local dimension to the work.

In New York, the High Line has also announced its fall art lineup. Marianna Simnett will launch the season in September with Interlude, a video installation placed in food vendor carts, while Christopher Williams will present MODEL on the billboard at 10th Avenue and 18th Street. Amol K. Patil and Alvaro Barrington will follow with new debuts in October and November.

Recent museum acquisitions also highlight the continuing value of landmark works. The New Orleans Museum of Art has added Isamu Noguchi's granite fountain Mississippi Fountain, while The Gund at Kenyon College and the Hirshhorn Museum have jointly acquired early works by Joan Jonas. Together, these moves show how public art and museum collections are expanding access to influential voices across generations. The future of these commissions points toward more inclusive, site-responsive cultural experiences in cities.

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