The notion of home is fluid, yet certain objects evoke a sense of comfort and belonging, even when removed from their usual settings. For Monica Rohan, a Brisbane-based artist, these items include patterned fabrics and bentwood chairs, which she depicts in her captivating oil paintings set against vibrant natural backdrops.
Rohan has a history of illustrating the intricate folds and vivid designs of textiles, often enveloping her figures or camouflaging them within the surrounding landscapes. Her paintings frequently feature upholstered chairs and wooden seats placed in unexpected locations, precariously balancing between nature and domesticity.
In a notable evolution of her work, Rohan has begun to omit the human figures from her scenes. The arms that once reached for stability or drew back curtains are now absent, leaving only the domestic objects behind. "This shift has been liberating, allowing me to delve into new interpretations of the connection between people and their environments," Rohan explains. She views the bentwood chairs as stand-ins for humanity, carrying sentimental value from her childhood. "Their elegant yet fragile design serves as a poignant reminder of home for me."
Many of Rohan's latest creations will be showcased at Sophie Gannon Gallery in Melbourne this June as part of her solo exhibition titled Invitations. Inspired by her hiking adventures in Tasmania, her paintings feature plaid tablecloths and crocheted blankets that seem to float in mid-air, suspended by invisible threads between unseen poles, set against dramatic mountain ranges, rushing streams, and lush meadows.
"With their bold patterns and whimsical forms, these objects take on an ambiguous nature, oscillating between mere decoration and overwhelming presence," Rohan adds. The bentwood chairs, now positioned precariously, no longer provide a sense of comfort; instead, they invite viewers to engage with their precariousness.
