Factory tours have always fascinated me, igniting a lifelong interest in the art of manufacturing. Growing up, my family and I visited various production sites, from cheese factories to whiskey distilleries, each offering insights into the transformation of raw materials into beloved products.
The Cooper Hewitt Smithsonian Design Museum currently features an exhibition titled Made in America: The Industrial Photography of Christopher Payne, where visitors can explore the intricacies of American production. Over the last decade, Payne, an accomplished architect turned photographer, has documented numerous manufacturing facilities across the nation. His mission has been to delve deeper into the world of American manufacturing and the industries that have shaped the country.
Payne's work comprises 72 stunning large-format photographs, showcasing the creative processes behind various items, from vibrant Peeps to massive jet engines. His dedication is evident; for example, he visited the New York Times plant in Queens nearly 40 times to capture its printing process. Each image is meticulously crafted, offering a glimpse into the skill and craftsmanship of factory workers.
His photographs draw inspiration from the industrial and labor photography of the 1930s and 1940s, reminiscent of the works of renowned photographers like Lewis Hine and Margaret Bourke-White. These historical images documented a significant transitional period in American labor, highlighting factory conditions and the evolving workforce.
Fast forward nearly a century, and Payne's exhibition arrives during another time of change, where local manufacturing faces challenges such as rising costs and a dwindling skilled workforce. However, rather than focusing on these difficulties, the exhibition celebrates the artistry and dedication of workers, illuminating the wonder of the manufacturing process.
Similar to his book released in 2023, the exhibition is divided into three sections that reflect the evolution of U.S. manufacturing: traditional craftsmanship, large-scale production, and innovative technologies. Viewers are treated to scenes of hands-on craftsmanship alongside cutting-edge advancements, like robots assembling electric vehicles and workers in hazmat suits refining wind turbine blades.
Payne's images encapsulate the rhythm and energy of industrial life, revealing the transformative moments when raw materials are shaped into familiar forms. One striking photograph, titled "Peter Nelson Shaping a Cymbal on a Lathe," illustrates the meticulous process of creating a brass cymbal, evoking a sense of joy and recognition in viewers.
Made in America invites audiences into the dynamic world of manufacturing, often hidden from public view. While some factories depicted have closed, Payne honors the creativity inherent in design and elevates everyday items through his artistic lens. His work encourages us to appreciate the craftsmanship behind the products we often take for granted, inviting a renewed perspective on the world around us.
The exhibition is on display at the Cooper Hewitt, Smithsonian Design Museum until September 27, curated by Susan Brown.