During a casual bike ride through Brooklyn's Williamsburg neighborhood, artist Fields Harrington witnessed a delivery worker's accident, which sparked a profound realization about the precarious nature of gig work. This incident illuminated the lack of support for delivery workers, who often operate without a traditional employer, relying instead on algorithms to dictate their work.
Harrington, who has been documenting delivery bikes across New York City since 2024, has noticed a vibrant culture of customization among these workers. Many bikes feature personal touches like gloves on handlebars or reflective tape, creating a sense of community reminiscent of motorcycle clubs. "It's a way of finding community," he explains, as workers display flags or stickers representing their origins.
His ongoing photographic series captures the essence of these bikes, which serve as symbols of labor and identity. Instead of focusing on the workers themselves, Harrington's art emphasizes the objects that represent their lives, challenging traditional narratives in art history.
As he prepared to exhibit his work at MoMA PS1 for the "Greater New York" show, Harrington sought a way to bridge the gap between art and labor. He proposed an innovative idea: to rent a delivery worker's bike and compensate its owner, Gustavo Ajche, for their time while the bike was displayed at the museum. This initiative not only highlights the importance of rest for gig workers but also addresses the lack of paid time off in the gig economy.
The exhibition features a bike that greets visitors, while every 21 minutes and 44 seconds--a nod to the hourly wage workers like Ajche advocate for--a notification sound echoes through the gallery. This auditory cue serves as a reminder of the ongoing struggle for fair compensation and the basic human need for rest.
Harrington connected with Ajche through architect Elsa Ponce, who is involved in creating safe spaces for delivery workers across the city. These hubs provide essential amenities, such as rest areas and charging stations for bikes, which are typically the responsibility of employers.
By placing a delivery bike in a museum setting, Harrington aims to draw attention to the often-overlooked labor issues within the gig economy. His work serves as a powerful commentary on the need for advocacy and recognition of the rights of these workers.
This innovative intersection of art and social justice not only raises awareness but also inspires a conversation about the future of work in an increasingly digital world. As we reflect on Harrington's contributions, we can envision a landscape where art not only reflects society but actively participates in shaping a more equitable future.