LOS ANGELES -- The latest exhibition, Untitled Damages (ROOM DIVIDER), showcases the unique artistic journey of Amanda Ross-Ho, reflecting on her childhood experiences and family history. The artist draws inspiration from her parents' bedroom in her childhood home, where she recalls the remnants of a wall that was removed, leading to a blend of memories and emotions.
This exhibition features two distinct collections of flood-damaged photographs created by Ross-Ho's parents. One set, captured by her mother, Laurel M. Ross, depicts their family home in black and white, while the other, by her father, Ruyell Ho, consists of vibrant color transparencies from his career as a commercial photographer. The photographs are presented in innovative ways: her mother's images are encased in acrylic shadow boxes, allowing the warped prints to be appreciated as sculptural pieces, whereas her father's transparencies are illuminated in light boxes, enhancing their visual impact.
Throughout the installation, Ross-Ho's artistic touch is evident, with elements such as doors wrapped in fabric inspired by her mother's photographs and glass jugs filled with water--a recurring motif in her work that symbolizes the very substance that affected her parents' art. This exhibition marks a significant moment for Ross-Ho as she presents her parents' archival materials without any mediation, allowing a deeper sense of vulnerability and connection to emerge.
The choice of venue, previously a Vietnamese restaurant, adds another layer to the exhibition. Original features of the space remain, including industrial shelving and remnants of the dining area, which Ross-Ho has thoughtfully integrated into her installation. This blending of past and present creates a rich tapestry of influences and memories, inviting viewers to contemplate the intricate relationships between place, identity, and family.
Amanda Ross-Ho's work poignantly addresses the complexities of identity, especially for those with hyphenated backgrounds. The hyphen in her last name symbolizes the duality of her heritage, illustrating the interconnectedness of her experiences. This exhibition serves as a profound reflection on how our identities are shaped by the people and places that surround us, encouraging viewers to engage with their own narratives.
Untitled Damages (ROOM DIVIDER) is on display at Leroy's in Los Angeles until March 1, offering a compelling exploration of familial ties and artistic expression.
